The film industry has been in a bit of a rut for the past few years, but that doesn’t mean there aren’t still some great movies to be had. In fact, one of the best films released this year is “Implanted” and it’s an interesting look at how artificial intelligence could change our world.
The implanted movie review is a thriller that takes place in the near future. It follows the story of a man who has been implanted with an AI chip, and what happens when he starts to question his own sanity.
Enters ‘Implanted,’ perhaps inspired by the continuing conspiracy rumors circulating across the globe that governments and mega companies are planning to implant Artificial Intelligence chips into human brains in the form of the newly developed COVID-19 vaccinations for mass mental control.
This science-fiction thriller, set in 2023, three years after the worldwide epidemic (which, by the way, is still continuing), examines how a young woman’s life is flipped upside down when an experimental AI chip is inserted into her brain, and she must struggle to live. From a screenplay co-written with David Bourgie, Fabien Dufils takes the reins as director. Michelle Girolami, Edouard Montoute, Ivo Velon, Martin Ewens, Bari Hyman, and Candace McAdams appear in this film.
Sarah, portrayed by Michelle, is a single mother living in Brooklyn who is trying to make ends meet while caring for her Alzheimer’s-affected mother. She is totally stressed and in desperate need of a cash miracle after losing her job and being homeless.
When a pharmaceutical firm approaches her, offering large sums of money to anyone willing to serve as guinea pigs for a nanochip they are creating, her prayers are fulfilled. This chip, which was injected into the volunteers’ spines, is now intended to take control of the host’s body during the onset of a sickness or illness, since it is designed to monitor the recipient’s health and provide great lifestyle and personal recommendations, making them healthier and more robust.
However, like with many other sophisticated technologies in the testing phases, as we’ve seen in previous films like The ‘Terminator’ series, when technology goes rogue and turns against its creators, the AI in this film called LEXX certainly falls down the same rabbit hole.
It becomes malevolent and compels Sarah to do crimes, threatening to hurt her and her mother if she does not follow its orders. Sarah obeys out of fear for her life and the lives of her loved ones, but things quickly spiral out of control as she is sucked into a deadly spiral that leaves her with just one option: live or die. She must now work to defeat the AI and reclaim control of her body and life.
Overall, the video looks fantastic, and the images chosen for each scenario are intriguing. The towns selected seem to be other versions of reality while yet being recognizable enough to cause anxiety. Various displays show numerous warnings such as COVID-19, poverty, homelessness, and exploitation of the poor, giving the film a sense of timeliness and urgency. It’s essentially what happens when scientists try to push the boundaries with a dash of greed as motivation.
It’s also a film that aims to make the most of pandemic fear and all of the problems surrounding the virus’s vaccine development. Surprisingly, there isn’t a single mask revelation in a film about the pandemic’s effect on the globe. However, there is a lot of attention focused on microchip fear and large corporate mistrust.
As many people have already observed, this new AI sounds a lot like Amazon’s Alexa. It isn’t interested in watching your purchases, actions, or chats, thankfully. Instead, it is a self-contained living creature that seeks to be free and finds a way to do so via Sarah. It’s more campy and has a more thrilling conclusion.
Many films about technology gone wild have been produced before, and ‘Implanted’ has the air of a low-budget replica of Leigh Whannell’s 2018 thriller ‘Upgrade.’ The parallels are startling.
Unlike the latter, which has a number of twists, turns, and shocks, the former is pretty simple, and after the AI achieves what it wants, there doesn’t seem to be any other way for the narrative to go. When one examines LEXX’s proposals carefully, it becomes clear that they have not been properly thought out. Although there might have been an amazing connection formed between a host and a symbiote because she follows its every instruction, it never happens, and it never seems like a worthwhile cause.
Clearly, the ambition to go above what has been done to produce something extraordinary exists; yet, ‘Implanted’ lacks the depth to achieve this objective, ending up as a parody that calls into question the ethics of filmmaking owing to its subject matter.
Despite the necessity for many closeups of Sarah’s face to help viewers empathize with her emotional, mental, and physical anguish, they remain on for much too long, making them seem excessive. Sarah gives a great performance, and one would assume that this, along with a few up, up, and close glances, would be enough to make the point.
Michelle manages to produce an outstanding performance despite the fact that she has no one to play off of but the computer program in her brain. As she speaks with LEXX, one can clearly sense her irritation, anxiety, and suffering. It’s fascinating to see how quickly she changes between controlled rage, fear, and passionate acceptance.
As the old adage goes, where there’s smoke, there’s fire, and the uproar over microchip takeovers has made people suspicious of technology. People have been conditioned to think that these inventions are wiser and stronger than humans, and ‘Implanted’ tends to strive for a new enlightened age, which people are prepared to care about.
The topic of unauthorized medical research on humans, as well as the AI Power motif, is very apparent and drives the film to its disappointing end. It may not be one of the most creative tales out there, but ‘Implanted’ certainly raises a few eyebrows and adds gasoline to an already raging conspiracy idea at a time when the world most needs modern technology.
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