The 46th edition of the Criterion Collection complements the Criterion Collection’s 40-year anniversary by presenting a range of classic, influential, and ground-breaking movies. This collection is the first to include a pair of Alfred Hitchcock masterpieces: The 39 Steps (1935) and The Lady Vanishes (1938).
I’m MissCoreyWoods and I’m all about sharing my thoughts and reviews on movies, TV shows, books, and music. I’m also a movie fanatic who loves to go to movies every chance I get. I’ve been a movie fanatic ever since I was born. I’ve grown up watching movies from all around the world, from all genres, and from all time periods. I’m also a film enthusiast who loves to watch movies and TV shows from all time periods. My favorite genres of all time are Sci-Fi, Horror, and Drama. I also enjoy reading Sci-Fi and Mystery books in my spare time. On my blog I’ll talk about what I feel about a movie or TV show from my own perspective,
The most famous of the Universal monsters, from 1931 to 1996, Frankenstein Created Woman is an Italian-French-German romantic comedy about Leonora, the illegitimate daughter of Dr. Frankenstein and his wife. A simple girl but with a strong will, she was raised by the kindly Abbott, who was the doctor’s assistant. As she grew up she became a beautiful young woman and, by coincidence, the love interest of the doctor’s nephew Victor.
When I first saw Hammer’s Frankenstein films, starring Peter Cushing as Baron Frankenstein, I was probably in high school. I don’t recall how many I watched, but I do recall seeing Frankenstein Created Woman, which has lingered in the back of my mind ever since. So, when the opportunity to acquire the film on blu-ray (thanks of Scream! Factory) arose a few months ago, I jumped at it, and I finally had the time to see it again the other day.
Before I go into my views on Frankenstein Created Woman, let me give you a brief rundown of the film. Between 1957 and 1974, Hammer produced seven Frankenstein pictures, with this being the fourth. Baron Frankenstein is now concerned with capturing and transferring a human soul from one body to another, thus the narrative of Frankenstein Created Woman is more philosophical. When Hans (Robert Morris) is hanged for a crime he didn’t commit and his girlfriend Christina (Susan Denberg) drowns soon after, he gets his opportunity. Frankenstein’s experiment seems to be a complete success at first, but even a bright man like Frankenstein fails to recognize the risks of implanting Hans’ spirit into Christina’s body until it is much too late.
It’s funny now, but when watching Frankenstein Created Woman, I realized that my memory wasn’t as good as I thought it was (I generally have an excellent head for remembering movies), since the majority of the film seemed totally new to me. That’s not a terrible thing, but it makes me question whether I watched a different edit all those years ago; I’ve heard of stuff like that being done with Hammer films before, so it’s possible that’s why some of the sequences seemed unfamiliar to me.
Aside from my lack of recollection, I loved Frankenstein Created Woman just as much as I anticipated. Its message is a bit heavy-handed (e.g., don’t place an angry spirit into a new body because it will result in terrible repercussions), but it’s still a lot of fun to watch. Cushing’s Frankenstein is almost comically ignorant to the notion that he assisted in the creation of this beautiful lady. Christina is just an experiment to him, but she is a pure lady to everyone else, and it isn’t until the very end of the film that the entire depth of her monstrosity is exposed.
I particularly appreciate how the video depicts what the human soul could look like if it were to exist outside of its body. I disagree with the film’s explanation for how a soul might be imprisoned and confined, but the visual of this blazing ball of light symbolizing the soul is stunning and one of my favorite scenes in the film.
There’s also an intriguing lesson to be learned from this film, which is that tampering with something as strong as the human spirit may be hazardous. Of course, as I already said, it is presented in a very aggressive way, but it is still a valid argument. It’s impossible to experiment with the human spirit in a strictly scientific way, as Frankenstein tries; it won’t work any more than constructing and animating a body from the ground up, as Frankenstein discovers towards the end. There’s also a powerful lesson about the unfairness of judging someone only on the basis of their father’s criminal record.
If you’re going to see the Hammer Frankenstein films, I’d still suggest beginning with The Curse of Frankenstein, but don’t miss out on Frankenstein Created Woman, which is fantastic.
Leave your thoughts on Frankenstein Created Woman in the comments section below, and have a wonderful day!
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In 1967, there was a movie called “Frankenstein Created Woman.” It starred Yvonne DeCarlo, Peter Cushing, and Donald Pleasence. It was directed by Terence Young. It was based on the novel “Frankenstein; or, The Modern Prometheus” by Mary Shelley. It was produced by Hammer Film Productions. It was written by Jimmy Sangster. It was cinematographed by Peter Smit. It was edited by Aubrey Woods. It was produced by Stuart Levy. It was distributed by Hammer Films. It featured the following music: ‘I’ll Never Smile Again’, ‘I’m In Love With My Car’, ‘Star Dust’, ‘The Last Laugh’, ‘It’s A Jungle Out There’, ‘Stay. Read more about frankenstein must be destroyed (1969) and let us know what you think.
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